原文出處:http://shejidaren.diandian.com/post/2012-03-22/18229549
十種漂亮的英文字體
Metropolis
2013年7月27日 星期六
SCI-Arc 學生發展出一套具有"undo"功能,生成自由形體的 3d printing 技術
原文出處:http://www.dezeen.com/
SCI-Arc 學生發展出一套具有"undo"功能,生成自由形體的 3d printing 技術
SCI-Arc student develops freeform 3d printing with undo function
Here's some text from Harms:
Suspended Depositions
This project aims to blur the line between processes of design and fabrication in the context of rapid prototyping by increasing the fluidity of the fabrication process through coordinated material and robotic processes. The project exploits feedback loops that allow the process to be used as a live generative form-finding tool as well as a method for reification of designed objects.
By injecting and suspending light-curing resin in a gelatinous medium, one is afforded the ability to shape freeform objects without the need for molds or other subtractive manufacturing processes that would otherwise be necessary. The gel acts as an omnidirectional support material which is reusable, so there is no wasted material.
One major distinction between this project and other rapid prototyping processes is the ability to utilize 3D vector-based toolpaths. Virtually all other processes use paths generated via contouring a digital model, and rely on the hardening of each successive layer before being able to move on to the next.
The suspension of resin in space without added support material allows for the ability to navigate and fabricate directly on and around other existing objects within the Gel, as well as the ability to observe the process from any angle. The suspension of time in this process allows for tool changes, manual injections, on-the-fly robotic injections, multi-material injections, live modification of the digital or physical model, and the ability to physically "undo" (resin removal via suction or scooping).
Special thanks to Peter Testa, Brandon Kruysman, Jonathan Proto, Devyn Weiser, and Kyle and Liz Von Hassln.
SCI-Arc Fall 2012
Testa Vertical ESTm Studio
Instructor: Peter Testa / Brandon Kruysman / Jonathan Proto
AT: Peter Vikar
Project Lead: Brian Harms (nstrmnt.com)
Project Team: Haejun Jung / Vince Huang / Yuying Chen
SCI-Arc 學生發展出一套具有"undo"功能,生成自由形體的 3d printing 技術
SCI-Arc student develops freeform 3d printing with undo function
[寫在前頭]
關於Undo的說明,一直到看到影片最下面最下面的文字說明才知道意思"UNDO(resin removal via suction or scooping)"這技術是透過吸或舀的方式。
南加州建築學院的碩士生發展出一套方法,他們用一整缸的凝膠,運用機器手臂搭配3D Printing的方式,可以創作出不需要任何支撐材的自由形體,同時也允許做出"undo"的功能。
凝膠讓機器手臂擠出的液態樹酯固定並變硬,克服了其他3D Printing技術的缺點;避免了列印物件必須堆疊在自體上的限制。
| Brian Harms 發明了一種特殊的列印工具 |
這樣的方式將允許基於向量資料的列印,意味著列印的噴頭可以三向度的移動,而不再需要依附在既有的二維堆疊架構物之上。
| 列印工具拆解圖 |
Brian Harms 發展出一套名為"懸浮定位(Suspended Depositions)"的處理方式,完成於他就讀 SCI-Arc 的 ESTm (Emerging Systems and Technologies)課程之中。透過注入與懸浮光固化樹酯(light-curing resin)於凝膠介質之中,不需要模具的、不用透過減法製造過程,一種新的自由成形方式。Harms 如此解釋這個方法。
| 機器手臂與 Harms 發展出的嵌入式工具 |
光固化樹酯,透過 Harms 與其團隊研發出的特殊噴嘴(固定在機器手臂上),擠出後經過光照而硬化。當作品從凝膠中取出後,這些凝膠可以重複再使用。
| 機器手臂將光固化樹酯擠入一個充滿凝膠的容器裡 |
Harms 作品技術上的突破,延續了其他"自由形體"或是稱為"非支撐3D Printing"的技術。例如稍早五月,來自 Barcelona IAAC(Institute for Advanced Architecture of Catalonia)的 Petr Novikov 和 Saša Jokić 所發表的不用支撐材料的自由曲形,以及二月時可在空間中自由塗鴉的3D列印筆;該案在創投網站 Kickstarter 曝光的第一天就得到接近於五十萬美金(一千五百萬台幣)的募款。
| 打樣測試 |
Here's some text from Harms:
Suspended Depositions
This project aims to blur the line between processes of design and fabrication in the context of rapid prototyping by increasing the fluidity of the fabrication process through coordinated material and robotic processes. The project exploits feedback loops that allow the process to be used as a live generative form-finding tool as well as a method for reification of designed objects.
By injecting and suspending light-curing resin in a gelatinous medium, one is afforded the ability to shape freeform objects without the need for molds or other subtractive manufacturing processes that would otherwise be necessary. The gel acts as an omnidirectional support material which is reusable, so there is no wasted material.
One major distinction between this project and other rapid prototyping processes is the ability to utilize 3D vector-based toolpaths. Virtually all other processes use paths generated via contouring a digital model, and rely on the hardening of each successive layer before being able to move on to the next.
The suspension of resin in space without added support material allows for the ability to navigate and fabricate directly on and around other existing objects within the Gel, as well as the ability to observe the process from any angle. The suspension of time in this process allows for tool changes, manual injections, on-the-fly robotic injections, multi-material injections, live modification of the digital or physical model, and the ability to physically "undo" (resin removal via suction or scooping).
Special thanks to Peter Testa, Brandon Kruysman, Jonathan Proto, Devyn Weiser, and Kyle and Liz Von Hassln.
SCI-Arc Fall 2012
Testa Vertical ESTm Studio
Instructor: Peter Testa / Brandon Kruysman / Jonathan Proto
AT: Peter Vikar
Project Lead: Brian Harms (nstrmnt.com)
Project Team: Haejun Jung / Vince Huang / Yuying Chen
2013年7月18日 星期四
設計師心聲
| If I wanted to work for free, i'd choose to be a volunteer. Not a freelancer. (Designed by Ena Bacanovic) 如果我得做白工,去當志工就好啦,何必來接案。 |
| I will solve your problem and you will pay me. (Designed by Pfahlert Creative Labs) 我解決問題,你付錢。 |
| If you think it's that simple, then do it yourself. (Designed by Ams Design Studio) 覺得很簡單,那你來做啊。 |
| How would you like your graphic design? (Designed by Colin Harman) FAST + CHEAP + GREAT = Impossible Utopia 說說你理想的平面設計? 快速 + 便宜 + 好好看 = 做夢吧你。 |
| I am a designer, not a fucking screwdriver. (Designed by Daniel Levanon) 我是設計師,不是他媽的螺絲起子。 |
| (Designed by Jennifer Farley &Laughing Lion Design) 客戶:你怎麼收費? 設計師:一小時 2000 塊。 客戶:我可以過去你那邊監督你嗎? 設計師:那當然,一小時改 4000。 客戶:如果我幫你呢? 設計師:一小時給 2 萬我考慮看看。 |
| Too much white space (Designed by Mark + Paddy) Less is more 少,即是多 |
![]() |
| If you hire people just because they can do a job, they'll work for your money. But if you hire people who believe what you believe, they'll work for you with blood and sweat and tears. (Designed by InkSurge) 倘若你聘了一位堪用員工,那他只會為了金錢而做事; 但如果你請來與你擁有相同信仰的人,他們將揮灑汗水、不計血淚,為你全力以赴 |
2013年7月15日 星期一
義大利創投 Makoo 平台計畫,將你的情緒實體化
原文出處:http://www.3ders.org/
義大利創投 Makoo 平台計畫,將你的情緒實體化
Italian startup Makoo materializes your emotions with 3D printing
如何讓你說過的話,煞那變成永遠?在義大利,最近出現了一個線上平臺 Makoo,讓你可以將帶有情感的文字轉變成獨一無二的珠寶。你只需要錄製一段短暫的文字訊息,聲音和文字會轉換成 (手鐲、 戒指、 領帶夾、 袖扣等)造型上的依據,然後透過 3D Printer 創作出來。
整個流程如下:
首先在一個手鐲、 戒指或領帶夾要麼選擇你要的珠寶類型。然後通過錄製一段語音訊息來客製化您的寶石。Makoo jewelry alpha 軟體將改變根據您的文字和語音,決定出寶石的形狀。線上平台同時還允許您更改它的厚度、 高度和扭轉的幅度,你可以即時看到變動的結果。你也可以嵌入一個 QR code,記錄到您的郵件。選擇材料後,你獨一無二的寶石就可以進行 3D 列印。
Federico De Simone, Giulio Galassi, Arianna Notari 和 Dario De Angelis 四位是年輕的 Makoo 共同創始人。這一專案上個月底在羅馬發表,讓他們贏得競獎的銅牌(bronze medal of InnovAction Lab 2013),這是一個獎勵年輕義大利人進行初創企業的活動。最後一共有八個初創提案從 120 名競爭者中脫穎而出,其中包含一百多個投資者、創投催生者和導師組成,並介紹他們的商業計畫。
試用版的 Makoo 將會在今年九月(2013)推出,正式的版本預計將於2014年一月上線。
Makoo Jewels-Pitch from Makoo Jewels on Vimeo.
2013年7月5日 星期五
為截肢的鴨子製作的 3D Printed 腳
原文出處:http://www.designboom.com/
為截肢的鴨子製作的 3D Printed 腳
Amputee Duck Gets a High-tech 3D-printed Foot
為截肢的鴨子製作的 3D Printed 腳
Amputee Duck Gets a High-tech 3D-printed Foot
去年的十一月,名叫 Buttercup 的鴨子從一個高中實驗室裡孵化。由於牠的左腳先天性的後翻,只好被迫進行截肢。但是現在 Buttercup 有了一隻全新的左腳,看著牠套上這隻 3D Printed 出來的腳,不禁讓人紅了眼眶。
![]() |
| 出生沒多久就被迫截肢的小鴨子 |
![]() |
| 原始設計。圖片來源(FB) |
2013年7月1日 星期一
3D 列印品質測試紀錄板
3D 列印品質測試紀錄板
3D Printed Octopuses for quality test [ size=50mm ]
![]() |
| 3D Printing Quality Test |
不論是在3D Printing或是數位製造的流程裡,設備環境的參數紀錄是一件非常非常重要的工作。這個作品目前僅提供MakerBot雙噴頭機型(相容機型)之ABS材料測試紀錄參考(之後會推出PLA版本),總共可以分成三個部分來看...
| (1)尺寸縮小的章魚,長寬為50mm |
其中[切層高度]的測試是以 0.05mm 為級距包含[0.05、0.10、0.15、0.20、0.25、0.30]等,一共六種不同設定此外還有以 0.10 精細度製作的雙色列印版本
主要的列印設定列印材質:ABS(黑/白/藍/紅),底板為PLA(白)切層軟體:MakerWare 2.2.1開啟 Raft 功能關閉 Support 功能填充率 infill = 15%薄殼數 number of shells = 2列印溫度 220℃/ 105℃(噴頭/加熱板)列印速度 40mm / 80mm(工作/移動)
來建構自己屬於自己的版本吧!
![]() |
| 0.05mm 01h06m |
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| 0.10mm 00h44m |
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| 0.15mm 00h32m |
![]() |
| 0.20mm 00h25m |
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| 0.25mm 00h23m |
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| 0.30mm 00h21m |
![]() |
| Dual 0.1 01h52m |
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